Well.

I heard back from Mr Seeley.

*long pause*

There isn’t much, if anything, to sum up. He said he was familiar with the fan base but did not elaborate. Anything in his story line that feels familiar or coincidental is just that, coincidence.

At this point, because the film is just shy of 30 years old, there are so many ideas, plot lines, and tropes that have been used over and over, it’s totally possible for someone not that enmeshed in the fandom to think things as ‘new’. I’m gonna let it go.

His intention with the comic is to make something “new, interesting, funny and scary while maintaining the feel of the classic movie.” Okay, more power to him. It’s basically what we do with fan fiction, only he’s been contracted to do it officially.

I know why David’s back. He answered that. There is no big reason, not even one that relates to the story being told. It was so simple, too simple really, for me to even think of. So that’s on me, being angry about that. I’m not gonna be fucking happy about it or anything, but I’m in for a penny in for a pound, so I’ll have to read the next four issues to see what happens.

In the end, Mr Seeley reminded me that regardless of how I feel, good or bad, about the comic book, no one can take the original film from me. This is the truth. I think sometimes I forget that no matter what Warner Bros does or the other people who get contracted to do something with the property that add to it or whatever, the original film will never be fucked with. It will remain unaltered and always a source of joy and happiness for me.

So, thank you for that, Mr Seeley.

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